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I fondly seize watching this classic Doctor Who storyline as a teenager in the 1980’s and being utterly blown away by its true complexity. Decades have passed, I’m older and a resplendent bit more jaded, and it smooth blows me away! The somewhat unusually titled “Doctor Who and the Silurians” is perhaps one of the most bright stories penned for what is typically a very well-written series, and this in a manner cleverly conducive to the tale’s gracious venerable thrills & chills and general entertainment value. If anything demonstrates that a expose can be sophisticated and fun at the same time, this does in style.
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Part of what makes this one so substantial is that it takes one of the most tired clichés of sci-fi and turns it on its head. Reptilian invaders? Well, sort of, except for the fact they were here first. The eponymous Silurians evolved on Earth millions of years ago and developed a highly advanced civilization before an impending catastrophe drove them to peruse shelter underground, waiting in suspended animation for the inconvenience to blow over. The inevitable malfunction keeps them slumbering grand longer, until an experimental nuclear power plant built into the caves of England’s countryside circa 1970 jolts some of them awake and they originate preparing to lift their planet befriend regardless of the johnny-come-lately hominids that seem to have taken their situation. The premise alone is incredibly imaginative and astutely draws upon some of the latest geological theories of the day while providing the crux of the story’s aged complexity: there are no absolute estimable guys or awful guys here, only conflicting interests who through mutual horror, suspicion, misunderstanding, and xenophobia both raze up tragically resorting to violence rather than the compromise and coexistence the Doctor tries and fails to broker between them.
Speaking of the Doctor, it’s hard to possess that this is only Jon Pertwee’s second record in the role. He’s already quintessentially the third Doctor: elegant, dashing, and dynamic, delightfully sarcastic with petty authority, an eccentric individualist incongruously stuck with a hierarchical military organization. The camaraderie and conflict between him and the Brigadier is well depicted, and the clash between one’s martial pragmatism and the other’s principled idealism (both understandable under the circumstances) propels the plotline forwards and gives the conclusion its forlorn sting. The Doctor’s assistant, Liz Shaw, is more than fair a splendid face here, but one can eye her scientific expertise already slipping inexorably to the help burner despite the production staff’s best intentions. Last but not least, a expansive variety of supporting characters with memorable personality quirks and motivations all add considerable twists and turns to the story’s tragic progress, and a strikingly bizarre soundtrack (sounding like a schizophrenic mix of Stravinsky and Javanese Gamelan music) gives it an unforgettably appropriate eerie ambiance.
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In short, “Doctor Who and the Silurians” is every bit as satisfactory as I remember, and it looks even better. The version I saw in the ’80’s was patched together from color and dark & white episodes, while for this DVD all seven episodes have been painstakingly restored–in plump color as originally intended and as curious an image as possible under the chancy circumstances of its survival. Of course, the Silurians appeared a bit more convincing in monochrome as I catch, so the derive in authenticity and quality is ironically somewhat of a mixed blessing. But to examine a BBC production in 1970 to reveal the whiz-bang special effects of today would be unrealistic folly in the first state. Instead I would suggest losing yourself in this adventure’s consummate science fiction storytelling at its best, then your imagination will do the rest.
P.S. As fate would have it, this was not the last time the Doctor would try to referee between two sets of Earthlings, reptile and mammal, and “Doctor Who and The Silurians” can be purchased together with those later two adventures conveniently in one set: Doctor Who – Beneath The Surface (Doctor Who And The Silurians / The Sea Devils / Warriors Of The Deep) .
As is mentioned multiple times on the DVD extras, DOCTOR WHO AND THE SILURIANS began life as a discussion between author Malcolm Hulke and script editor Terrance Dicks. With the reveal now centered on the Doctor’s exile to Earth, Hulke reckoned that there were only two basic memoir types in this format: alien invasion or Earth-based wrathful scientists.
THE SILURIANS was an attempt to rush from this device of thinking by presenting a legend in which intellectual reptiles have been in hibernation for millions of years while the Earth and humanity evolved and changed around them. Awakening in the exhibit day they claim ownership of the planet not because of their advanced weaponry (although this they posses) but because of their worn claim of novel ownership. It’s a nice slither on the alien invasion record, although I wonder if holding it support a season or two would have made it a tiny more effective. It’s difficult to peer or own the subverting of a format during only its second tale.
This serial is one which I have always attempted to like, but one which I enjoy more on paper than I do in actuality. The myth is strong at times, the dwelling pieces are impressive and the acting is marvelous. But it’s a serial made up of seven 25-minute episodes, and really only has enough material for four or five. While the padding is generally ample and effective, it doesn’t quite distract from the fact that the clock is involving and the spot isn’t really going anywhere.
Also, several items about the production unfortunately tend to skedaddle down the yarn. Whenever one notices the incidental music, it’s because the sound is annoying and/or bizarre. While the DVD extras teach us that Carey Blyton was attempting to exercise historical musical instruments, the slay result is something that sounds like an electronic kazoo (someone one would inquire of from a Joel Robinson invention exchange) . It starts droll and gets sillier.
As with many Doctor Who monsters (and as Terrance Dicks points out on the commentary track), the Silurians are mighty more gruesome when they are sad figures lurking tedious the scenes causally killing people and causing general mayhem. They not as effective when they’re standing under intellectual studio lights where every costuming join is visible. Adding to the reduction in dismay are some of the choices made by the actors in the rubber suits. One actor is so unbelievably over the top that when the Young Silurian kills his rival, one almost expects the victor to rip off his veil to stammer Sean Hayes of “Will & Grace” fame. (“I am the leader now! Me! Fair Jack!”)
Of course, credit is due where the serial succeeds. The sequences where the Silurian-released plague is sweeping through central London are very effective and well-staged. The search for the cure is slow-moving but the pacing is tight. Of course, if the myth were written today, David Tennant would simply wave his sonic screwdriver over Geoffrey Palmer and an episode and a half worth of tension would vanish in three seconds.
The serial has quite a strong cast and the guest stars are particularly strong. Geoffrey Palmer and Peter Miles always receive well-deserved praise. But I particularly enjoyed the performance of Fulton Mackay as Dr. Quinn. His style is very natural. Dr. Quinn’s personality and mannerisms (if not his motivations and actions) reminded me of a few scientists and professors that I’ve met.
This is a DVD heavy with features. The commentary track features a revolving door of characters, with the following members of the cast/crew appearing for various lengths of time: Caroline John, Nicholas Courtney, Peter Miles, Geoffrey Palmer, Timothy Combe, Barry Letts and Terrance Dicks. This is a very superior commentary; the valiant crew even regain cups of tea delivered to them in the middle of episode three. It’s famous that when producer Barry Letts (who is becoming one of my well-liked commentary participants in these DVDs for his combination of information and dry humor) is out of the recording studio the allege of the conversation veers wildly. I imagine it’s tough work trying to discontinue focused and believe of things to say for seven burly episodes.
The additional DVD documentaries are also worth watching. WHAT LIES BENEATH is an informative glimpse at the world and political context in which THE SILURIANS was initially broadcast. Many of the arguments are determined, but some are attractive. COLOR SILURIAN OVERLAY is also a must peep. The recent color print of this account was lost years ago and all that remained was a high-quality sad and white film print and a low-quality color VHS print (recorded on a home video recorder by a fan in the 1970s) . The CSO short goes through the moving process of joining the two together.
Despite my lukewarm reaction to the myth, this was calm worth the DVD buy for me, fair to behold this serial in color. It’s nice to spy the relationship between the Doctor and the Brigadier this early in “exile” storyline. And while the script at times has the subtlety of a sledgehammer, it has fascinating things to say and its foundation is detached a capable, fun, spellbinding tale.
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